Music Writing
After graduating from the creative writing department at Columbia College in 1993, I figured that I was now officially a writer. I also loved music. I thought, therefore, that I should write about music. So I did for the publications listed below.
During this time, I also launched my own music publication, Reglar Wiglar Magazine, and contributed to a few other zines here and there.
Loud Lucy, INsider Chicago, 1993
Hog Lady, Columbia Chronicle, 1993
Mama Tick, Pure Magazine, 1993
Baby M, Pure Magazine, 1994
Vambo Marble Eye, Pure Magazine, 1994/95
God and Texas, Illinois Entertainer, 1994
Ass Ponys, Illinois Entertainer, 1994
Fix Your Wagon, Illinois Entertainer, 1994
Monster Magnet, Illinois Entertainer, 1995
Billy Childish, Chicago Tribune, 1998
Tribe 8, Chicago Tribune, 1998
Columns
During my last semester at Columba, the Chronicle sponsored a column-writing contest. A right-leaning dude and I both won. I guess we were supposed to provide a counterbalance to each other. Our columns ran every other week. He got a lot of angry letters. I didn’t get letters of any kind. That either means that the student body leaned left (likely) or nobody read my column (possible).
At any rate, I named my column after the underground college newspaper I started with my roommate Chris Till at DePaul University in 1989 which was called Dissin’ on the Groove. And that title is a paraphrase of something Zen master Tim Davison said to me at the school’s cafeteria one day, “Don’t diss on my chili groove”. He was literally referring to a bowl of chili. So, even though it’s hella stupid in a lot of ways, I got some mileage out of that phrase. Don’t even get me started on Peace, Love, & MotherScratcher.
Anyway, you can read all of those Columbia Chronicle columns here.